Wednesday, April 1, 2009

The Woods - Drink Black Ink


Listen to Drink Black Ink by The Woods.



Timeline of The Woods/The Clearing:

The Woods
March 2007:
- James (guitar) and Luke (drums/production) look to form a band, and ask me to play bass for some reason. I had never played bass before, but I decided "the heck with it!" and began my quest to wield that axe like a champion.

March to September or so, 2007:
- We begin jamming in Luke's recording studio.
- We record everything we play. For the first few months it sounds like anemic kittens sighing on guitar strings two rooms over. Really wimpy.
- Jams of failure, with brief flashes of catchiness and technical skill, although this is almost always accidental.
- As time goes on, the audio quality of our recordings improves.
- Sometime during the summer I acquire a better bass, a huge amp, and an overdrive pedal. I start to sound like Mt. Everest punching the Sun in the face with a tank.

September 2007 to March 2008:
- Jams are still full of failure, but we start to bust out some really good, heavy rock-ish songs on a much more consistent basis.

March 2008:
- Luke moves to the west coast, effectively ending The Woods after one year and over 400 songs recorded, although many of these are re-takes and aimless jams. Which brings us to...


The Clearing

March 2008 - March 2009:
- James and I doing the same exact thing, but without drums. Until...

The Clearing (v. 2)
March 2009 - likely March 2010, if history is any indication?:
- We finally found a new drummer named Kenny, who has played with us a few times thus far. We've already come up with a couple decent tunes. Any additional progress will be posted at The Clearing website. Thanks for listening.

1 comment:

Pete Simon said...

Now that I see the chronicle of our efforts it surprises me how little we learned from our failure.

Actually, I'm still confused. When you say 'failure' you can't be referring to detuned instruments, dropped beats, the skipping of our recorder, sudden and unexplainable changes in rhythm and melody mid-track, unsolicited and unwarranted guitar solos, or the eventually realization that no one hit the record button...

I mean, all those things are more like improv comedy.